Tayler’s
early work was deeply influenced by the French naturalistic style,
focusing on the honest, gritty, and often moving lives of local fishing
communities. His use of light and shadow, particularly in his interior
scenes, captured a quiet, atmospheric dignity that remains hauntingly
beautiful today.
As his career progressed,
Tayler moved toward a more sophisticated and urban aesthetic, becoming a
sought-after portraitist and a painter of elegant social gatherings in
Edwardian London. He also gained immense popularity for his vibrant
depictions of cricket matches, which are now considered some of the most
iconic sporting artworks in history.
Whether
painting a humble cottage dinner or a sun-drenched cricket field,
Tayler’s work is defined by its impeccable technique and its ability to
preserve the fleeting moods of English life at the turn of the century.
Experience the quiet elegance and vivid history of the late Victorian
and Edwardian eras through this collection of masterpieces by Albert
Chevallier Tayler.
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| A Day at the Market |
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| A Dress Rehearsal |
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| An Elegant Lady Seated by the Fireplace |
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| At the Well |
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| Bless, O God, These Thy Gifts to Our Use |
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| Confidences |
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| Confirmation Day |
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| Ecce Agnus Dei |
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| Elizabeth Barrett Browning |
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| Feeding Time |
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| Girl on a Settle |
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| Going to the Well |
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| Her Comfort |
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| Ignatius Convalesces at Loyola |
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| Interior Scene with Figures Luncheoning |
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| Music |
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| Not Lost, But Gone Before |
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| On the Promenade |
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| Portrait of a Woman in a Drawing Room |
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| Silk and Satin |
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| The Caricature |
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| The Christmas Tree |
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| The Council of Three |
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| The Departure of the Fishing Fleet, Boulogne |
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| The Grey Drawing Room |
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| The Letter |
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| The Mirror |
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| The Quiet Hour |
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| The Thames at Benson |
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| The Yellow Ribbon |
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| Trying Them On |
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| Waiting for the Boats |
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| Watching the Sea, Boulogne Harbour, France |
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| Woman Sitting by the Window |
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| Women Arranging Flowers |
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